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While other radio hosts thought rock 'n' roll music was just a passing trend, refusing to play it in favor of pop songs, Deane played rock 'n' roll music on a regular basis. On the last day of the show, January 4, 1964, all the most popular Committee members through the years came back for one last appearance. After you sprayed it, youd get toilet paper and blot it. WJZ's show aired from 1957 to 1964 and was popular among Baltimore teens, promoting dances like the twist, mashed potato, and the Madison. That show featured local teens who danced to the. Buddy wanted it to end happily, but WJZ angered Deaners when it tried to blame the ratings. That's what really happened, and the show shut down." 3. Many years later they married. Buddy: Deane in the 50s when she worked for a record wholesaler and he was the top-rated disc jockey on WITHthe only DJ in town who played rock n roll for the kids. Actor: Hairspray. They are still referred to, good naturedly by some, as the Ken and Barbie of the show. Gene, a member of the first Committee, and I underline first, later became president of the Board. Greetings, Pat Brun.Thanks for commenting in this pancocojams discussion thread. I graduated from an HBCU, lived through racism, marched on Washington with Martin Luther King, and was active in fighting injustices in Baltimore County at the height of the Civil Rights Movement. August 8, 2022 at 3:55 a.m. People already were excited about it, but after the election they were saying, Boy, do we need this now, Meron said while promoting the new television musical. Do you miss show biz? I ask her. Kings mention of Funtown is preceded by references to lynch mobs, police brutality, and the airtight cage of poverty, and followed by references to hotel segregation and racial slurs. Many parents and local officials were angry. It's not just about police brutality. Evanne and her brother run the John Brock Benson Dance Studios, in Pasadena, and have a line of dancers who appear at clubs all over the state. An then there was teased hair, replacing the 50s drape with a Buddy Deane look that so pervaded Baltimore culture (especially in East and South Baltimore) that its effect is still seen in certain neighborhoods of this great Hairdo Capital of the World. . So the NAACP targeted the show for protests. Not one of the Committee members, the ones chosen to be on the show every daythe Baltimore version of the Mouseketeers, the nicest kids in town, as they were billed. has the chance to resurface a forgotten history of how discrimination in pop culture intimately shaped the lives of young people 50 years ago. From 1957 to 1963, only white teens were allowed to attend the weekday broadcasts of the Buddy Deane Show, with the exception of one Monday each month when black teenagers filled the If you leaned on one side, the next day youd just pick it out into shape. Over the next several years, Deane's show became the top-rated local TV show in Baltimore and the highest rated local show in the United States. John Waters, a Baltimore filmmaker and Deane Show fan, loosely based "The Corny Collins' Show" in his movie "Hairspray" on Deane's show. Stay on top of the latest breaking film and TV news! C. Fields in drag.), This movie is the only radical movie I ever made because it snuck in mid-America. Image Credit: OzNet.com Winston Joseph Deane was born on August 2, 1924, in Pine Bluff, Arkansas. It was a fluke. [citation needed] With an ear for music seasoned by many more years as a disc jockey than Clark, Deane also brought to his audience a wider array of white musical acts than were seen on American Bandstand. Just once. On the last day of the show, January 4, 1964, all the most popular Committee members through the years came back for one last appearance. The Funtown reference is powerful because it captures one of the ways that Jim Crow segregation and white supremacy played out for children and teenagers. We would always do The Dirty Boogie, the one you arent allowed to do, he said. The rivalry with Dick Clark meant that Deane urged all his performers not to mention American Bandstand or visits to Clark in Philadelphia. maintains the basic of Waterss story, but like the Broadway version and musical film, it features more than a dozen songs that help to convey the hopeful narrative. The protesters wanted the races to mix. And more important, so did the Committee, still entering by a special door, still doing the dances from the period with utmost precision. All the choreography in the movie prior to this was segregated by race, and now its all together, which is a very, very subtle reference to the theme of this movie.. You had to wear nylons. Ric Ocasek as the Beatnik cat; Pia Zadora as the Beatnik chick; Production. Vanessa Udon plays Motormouth Maybelle, who hosts the monthly Negro Day on the Corny Collins Show. What: The Buddy Deane Show was a teen rock-and-roll dance television show that aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964. I used to lie in bed at my parents house, and there was an African-American community up the street and they went by singing along to the radio. We hung around with black and whites together, which you couldnt do. In 1950, he moved to Baltimore to WITH. You received demerits for almost anything: Chewing gum. He eventually became one of the most respected programmers in the country and was even written up in Time magazine. Most are happily married with kids and maintain the same images they had on the show. I even won the twist contest with Mary Lou Raines (one of the queens of The Buddy Deane Show) at the Valley Country Club. In my on-going search for African American footage I stumbled across this article in Google. This assessment proved true when on Aug. 12, 1963 a group of black and white kids stormed the stage of "The Buddy Deane Show" and danced together. Hairspray is the gift that never stops giving, Waters told an adoring crowd at New Yorks IFC Center this past weekend, the theater where Hairspray first opened thirty years ago. When the show ended, Deane moved back to Arkansas,. The school tried to throw me out before. That's what really happened, and the show shut down." 3. By representing this realityin bubble-gum, technicolor clarityHairspray does something that pure documentation, at times, cant: It makes a difficult part of a nations history accessible (and entertaining) to millions of viewers. Waters took inspiration from the real-life Buddy Deane Show, a local dance party program that ran from 1957 to 1964 in the Maryland area. One girl yelled Buddy Deaner and then threw her plate at me. 1 DJ in 1962 by Billboard mag. The very first day on the set, I didnt recognize Divine, the filmmaker said. Once a month the show was all black. Performances begin at 7 p.m. It was a real kick! Her fame even brought an offer to join the circus. Although the Committee was a valuable promotional tool for WJZ at the time, and belonging was a full-time job, no one (except teen assistants) was paid a penny. And if you dared to dance the obscene Bodie Green (the Dirty Boogie), you were immediately a goner. "Do You Love Me" by The Contours, or "Hide and Go Seek" by Bunker Hill). While the rest of the nation grew up on Dick Clarks American Bandstand, (which was not even shown here because Channel 13 already had Buddy Deane), Baltimoreans, true to form, had their own eccentric version. . They just wanted to know if you were real. When Mary Lous husband gave me the long and complicated directions to their home on the phone, he ended with And there you will find, yes, Mary Lou Raines. He later confided that when he first started dating her, he had no idea of her early career. Nicknamed "Buddy" as a child, Deane developed an early love for radio. Romance was one thing; sex was another. Though black and white . I was playing bongos on them in between takes because it was hilarious and he thought it was hilarious and I didnt stop to think, what the hell am I doing?, shared actor Holter Graham, who was 15 years old during filming. To be selected you had to bring a character reference letter from your pastor, priest, or rabbi, qualify in a dance audition, and show in an interview (the Spotlight) that you had personality. At first the Committee had a revolving membership with no one serving longer than three months. Jones). The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of 1958 to . Deaners seem to come out of the woodwork, drawn by the memory of their stardom. The "Buddy Dean Show" was abruptly cancelled. "The Buddy Deane Show" ran on Baltimore's WJZ-TV from 1957 to 1964. On this day in 1979, Sweeney Todd first opened on Broadway . She was the one of the biggies who refused to be on the Board (they had power; a liked because of it). In 1958 the Buddy Deane Show lost support from the Baltimore City Board of Education due to it's segregation policies, and in 1964 it went off the air instead of choosing to integrate. Even doing commercials was expected. offered an unfiltered, uncompromising celebration of Black literature, poetry, music, and politics, capturing a critical moment in culture whose impact continues to resonate today. 'Buddy' Deane; www.WashingtonPost.com -- The Messy Truth of The Real 'Hairspray.' The Corny Collins Show is now integrated! Waters himself commented on the films revisionist history, I gave it a happy ending that it didnt have., Hairsprays happy ending gave the story an arc that appealed to Broadway and Hollywood producers. When I get depressed, I dont go to the psychiatrist, I go to the jeweler, she says. I am here and on FB as well as NOBLE BRUN in the event the footage can be located. At her appearances at the record hops, kids would actually scream when youd get out of the car: Theres Mary Lou! That was our whole social life, being a Buddy Deaner, says Gene. Or Hartford Motor Coach Company? You are watching the "Buddy Deane Show." "The Buddy Deane Show" defined a new generation of rock & roll as well as dance on television in the late 1950s. Or dancing with other Committee members when you were supposed to be dancing with the guests (a very unpopular rule allowed this only every fourth dance). No matter how progressive we become, there will always be those who will still hang on to the tradition of hate. Unlike the tensions that followed the real integration of the Buddy Deane Show, Waterss Hairspray ends with the protesters triumphing. 'The Buddy Deane Show' was over . Buddy could take his seat beneath the famous Top 20 Board, and the tension would build. It would be a treasure to pass down to my future generations. We really sprayed it, remembers Mary Lou today from her home in Pennsylvania. In mixed marriages (with non-Deaners), many of the outsiders resented their spouses pasts. Motormouth Maybelle, a fictional black deejay and civil-rights activist played in the NBC version by Jennifer Hudson, sings: You cant stop today as it comes speeding down the track / Child, yesterday is history and its never coming back / Cause tomorrow is a brand new day and it dont know white from black. In the films narrative, this utopian vision of a colorblind future solves the problem of segregation and racial injustice. Before long I started getting lots of fan mail: I think youre neat. You learned how to be a teenager from the show. So there you have it. This article is among features at explorepinebluff.com, a program of the Pine Bluff Advertising and Promotion Commission. Im the biggest ham. Although she denies being conscious of the camera, she admits, I did try to dance up front. On August 2, 1924, Winston Joseph Deane was born in Pine Bluff, Arkansas. He was so happy. Integration ended The Buddy Deane Show. Advertisement. Every rock n roll star of the day (except Elvis) came to town to lip-synch and plug their records on the show: Buddy Holly, Domino, the Supremes, the Marvelettes, Annette Funicello, Frankie Avalon, and Fabian, to name just a few. But as more and more kids (even Deane fans) did tum Joe College, many of the Committee made the mistake of not keeping up with the times. In his Letter from a Birmingham Jail, Martin Luther King, Jr. spoke to what it meant for young black people to be excluded from entertainment spaces like the Buddy Deane Show. In 1984, he sold the station to a local college but bought it back in 1996. Checking back with the studio, no one had information concerning footage of African American dancers. And who could forget those great ads for the plastic furniture slipcovers that opened with the kids jumping up and down on the sofa and Royal Parker screaming, Hey kids!

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